Eduardo Enrique
(Venezuela, 1989)
Renowned for his provocative and often satirical interventions utilizing the "swoosh" mark of the iconic American sports brand Nike, Eduardo Enrique’s work is deeply shaped by his politically charged upbringing in Venezuela and his expansive global perspective.
Spanning painting, graffiti, installation, assemblage, and industrial fabrication, his practice explores consumerism as a vehicle for ideological dissemination and societal influence within the complex frameworks of international power dynamics.
