The interest of Juan Miguel Quiñones' proposal rests on two lines of action:
one operative, the other referential. However, both lead to spaces for conceptual reflection that involve and combine all the factors that converge in the sculptural practice (technique, material, aesthetic language, morpho- spatial relationships, correspondences and confrontations between the mimetic and the interpretative...), enabling deeper readings behind the mere appearance.
Juan Miquel Quiñones
(1979)